These typefaces are free to download and use. Whenever the project allows, please credit Lili Huston-Herterich, and any other collaborators detailed below.
⊕ RONO (2024) a typeface made from letters of storefront signs of businesses (shuttered and still open) in some of Toronto’s west end neighborhoods (plus easteregg glyphs from Toronto’s finest artist-run space Pumice Raft). As the city continues to change with development of residential and commercial towers, the typeface is a visual portrait, or archive, of a changing Toronto.
⊕ Megbet (2023) a typeface based on a series of ink on cardboard works painted by Meg Huston in 2020, initially made into rubber stamps that were gifte back to the artist for use in future ceramic and paper works. Please credit Meg Huston for design, and Lili Huston-Herterich for typeface.
❡ Available & The Rat writing archive an archive of texts in response to artists' practices and works, presented as exhibition texts for the project space Available & The Rat (2020- ongoing)
❡ Comforts a written response to Sophie Bates' video work South West to South East (London) for Rotterdam Art Writing, based on an e-mail response to the artist in 2020 (April 2021)
❡ A System of Radical Dependency an unfinished (never finished) essay written to accompany the research project System of Radical Dependency, started during a research internship with Index Foundation in Stockholm (summer 2020)
❡ A Manual for Saving Head a text written in collaboration with Ruth Skinner to accompany an exhibition (November 2019)
❡ There's no such thing as a baby, she says an mfa graduate thesis, Piet Zwart Institute (April 2019)
❡ I WENT TO YOUR CONCERT AND I DIDN'T FEEL ANYTHING a text written to accompany a performance (June 2019)
❡ Mouth To Mouth Messisteration a text to accompany an exhibition (September 2018)
❡ Conference in the Kitchen a text written collaboration with Nadia Belerique and Laurie Kang for VECTOR Artists Journal (2015)
With a view to a later date, or never, exhibition review (With a view to a later date, or never) by Lizzie Homersham for Art Monthly (no. 453), 2021
Artforum Critics' Picks, exhibition review (A Manual for Saving Head) by Tatum Dooley, 2020
Lili Huston-Herterich, exhibition review of We of the Middling Sort by Ben Portis for BorderCrossings, 2017
Where the Bodies Go: Lili Huston-Herterich's Poem to the Power of Community, exhibition review (We of the Middling Sort) by Sky Godden for Momus, 2017
Industry, independence and a gleeful mess, exhbiition review of We of the Middling Sort by Murray Whyte for The Toronto Star, 2017
Akimblog Exibition Review (We of the Middling Sort) by Terrence Dick for Akimbo, 2017